Colour Semiotics in Sherko Bekas’s Poetry: Rangdan Collection as an Example

Authors

  • Luqman Raouf Kurdistan Technical Institute, Sulaymaniyah, Kurdistan Region, Iraq

DOI:

https://doi.org/10.21928/juhd.v3n3y2017.pp453-482

Abstract

Semiotics is one of the modern critical methods of postmodernism in which through signs, it digs deep into the depth of a text.Sherko Bekas’s Rangdan collection is one of the collections in which signs are used abundantly because the poet uses colours 1219 times and many words are used as signs. The most used colours are blue, black, red and white. Each of these colours has its own meanings and implications in different cultures and texts; it has its role on people’s views, and it depicts roles of colours in relations to the lives of people. Hence, the use of Rangdan, which means the collection of colours, is not without purpose, but it has everything to do with environmental, psychological, intellectual and cultural aspects of life.

Published

2017-08-31

Issue

Section

Articles

How to Cite

Colour Semiotics in Sherko Bekas’s Poetry: Rangdan Collection as an Example. (2017). Journal of University of Human Development, 3(3), 453-482. https://doi.org/10.21928/juhd.v3n3y2017.pp453-482