The Ontological Dimensions in the Paradigm of Irfan: Rumi, Mawlawi Tawagozi and Gibran Khalil Gibran as Models

Abstract

This research illustrates the commonality between transcendental viewpoint, an artistic and musical lyric in transcendental literature; despite of differences in religion, language and era, in addition to the essential differences between this paradigm and the religious contemporary paradigm, as well. The evidence, ground and proving tools of this argumentation are poetic pieces of great poets like Mawlana Jalaladdin Rumi, Mawlawy Tawgozy and Jubran Khalil Jubran. By analyzing them we will touch upon the fact that the religious viewpoint and the literary works of transcendental poets were profound, and in the contrary we will get to know shallow and plain levels of some contemporary new literary product